The hosts of the show: George Moseshvili
Here's A Health To The Company (A Chieftains Celebration, 1989)
Kind friends and companions, come join me in rhyme Come lift up your voices in chorus with mine Let us drink and be merry, all grief to refrain For we may and might never all meet here again Here's a health to the company and one to my lass Let us drink and be merry all out of one glass Let us drink and be merry, all grief to refrain For we may and might never all meet here again Here's a health to the dear lass that I love so well Her style and her beauty, sure none can excel There's a smile upon her countenance as she sits on my knee Sure there's no one in in this wide world as happy as we Our ship lies at harbor, she's ready to dock I hope she's safe landed without any shock If ever we should meet again by land or by sea I will always remember your kindness to me
Behind Blue Eyes, with Roger Daltrey (An Irish Evening, 1992)
No one knows what it's like To be the bad man To be the sad man Behind blue eyes No one knows what it's like To be hated To be fated To telling only lies But my dreams They aren't as empty As my conscience seems to be I have hours, only lonely My love is vengeance That's never free No one knows what it's like To feel these feelings Like I do And I blame you No one bites back as hard On their anger None of my pain and woe Can show through But my dreams They aren't as empty As my conscience seems to be I have hours, only lonely My love is vengeance That's never free When my fist clenches, crack it open Before I use it and lose my cool When I smile, tell me some bad news Before I laugh and act like a fool If I swallow anything evil Put your finger down my throat If I shiver, please give me a blanket Keep me warm, let me wear your coat No one knows what it's like To be the bad man To be the sad man Behind blue eyes
I Saw Three Ships A Sailing, with Marianne Faithfull (The Bells of Dublin, 1991)
I saw three ships come sailing in On christmas day, on christmas day, I saw three ships come sailing in On christmas day in the morning. And what was in those ships all three, On christmas day, on christmas day, And what was in those ships all three, On christmas day in the morning ? Our saviour, christ, and his lady, On christmas day, on christmas day, Our saviour, christ, and his lady, On christmas day in the morning. And all the bells on earth shall ring On christmas day, on christmas day, And all the bells on earth shall ring On christmas day in the morning. And all the angels in heaven shall sing On christmas day, on christmas day, And all the angels in heaven shall sing On christmas day in the morning. And let us all rejoice and sing On christmas day, on christmas day, And let us all rejoice and sing On christmas day in the morning. On christmas day in the morning. La da la la la la la la ...
St. Stephen's Day Murders, with Elvis Costello (The Bells of Dublin, 1991)
I knew of two sisters whose name it was christmas, And one was named dawn of course, the other one was named eve. I wonder if they grew up hating the season, Of the good will that lasts ‘til the feast of st. stephen For that is the time to eat, drink, and be merry, ’til the beer is all spilled and the whiskey has flowed. And the whole family tree you neglected to bury, Are feeding their faces until they explode. There’ll be laughter and tears over tia marias, Mixed up with that drink made from girders. ‘cause it’s all we’ve got left as they draw their last breath, And it’s nice for the kids, as you finally get rid of them, In the st stephen’s day murders. Uncle is garglin’ a heart-breaking air, While the babe in his arms pulls out all that remains of his hair. And we’re not drunk enough yet to dare criticize, The great big kipper tie he’s about to baptize. His gin-flavoured whiskers and kisses of sherry, His best crimble shirt slung out over the shop. While the lights from the christmas tree blow up the telly, His face closes in like an old cold pork chop. And the carcass of the beast left over from the feast, May still be found haunting the kitchen. And there’s life in it yet, we may live to regret, When the ones that we poisoned stop twitchin’. There’ll be laughter and tears over tia marias, Mixed up with that drink made from girders. ‘cause it’s all we’ve got left as they draw their last breath, And it’s nice for the kids, as you finally get rid of them, In the st stephen’s day murders.
The Wexford Carol, with Nanci Griffith (The Bells of Dublin, 1991)
Good people all, this Christmas time, Consider well and bear in mind What our good God for us has done In sending his beloved son With Mary holy we should pray, To God with love this Christmas Day In Bethlehem upon that morn, There was a blessed Messiah born The night before that happy tide The noble Virgin and her guide Were long time seeking up and down To find a lodging in the town But mark right well what came to pass From every door repelled, alas As was foretold, their refuge all Was but a humble ox's stall Near Bethlehem did shepherds keep Their flocks of lambs and feeding sheep To whom God's angel did appear Which put the shepherds in great fear Arise and go, the angels said To Bethlehem, be not afraid For there you'll find, this happy morn A princely babe, sweet Jesus, born With thankful heart and joyful mind The shepherds went the babe to find And as God's angel had foretold They did our Saviour Christ behold Within a manger he was laid And by his side a virgin maid Attending on the Lord of Life Who came on earth to end all strife There were three wise men from afar Directed by a glorious star And on they wandered night and day Until they came where Jesus lay And when they came unto that place Where our beloved Messiah lay They humbly cast them at his feet With gifts of gold and incense sweet.
Nobody's Darling But Mine, with Emmylou Harris (Another Country, 1992)
Come and sit by my side little darling Come and lay your sweet head close to mine And promise me that you will never Be nobody's darling but mine Be nobody's darling but mine love Be honest be faithful and be kind And promise me that you will never Be nobody's darling but mine You're as sweet as the flowers in springtime You're as pure as the dew on the rose And I'd rather be somebody's darling Than a poor boy that nobody knows
Cotton Eyed Joe, with Ricky Skaggs (Another Country, 1992)
If it hadn't been for cotton-eye joe I'd been married long time ago Where did you come from. Where did you go? Where did you come from cotton-eye joe?
Tahitian Skies, with Chet Atkins (Another Country, 1992)
Instrumental
Mo Ghile Mear (Our Hero), with Sting (The Long Black Veil, 1995)
Seal da rabhas im' mhaighdean sheimh, 'S anois im' bhaintreach chaite threith, Mo cheile ag treabhadh na dtonn go trean De bharr na gcnoc is i n-imigcein. Curfa: 'Se mo laoch, mo Ghile Mear, 'Se mo Chaesar, Ghile Mear, Suan na sean ni bhfuaireas fein O chuaigh i gcein mo Ghile Mear. For a while I was a gentle maiden And now a spent worn-out widow My spouse ploughing the waves strongly Over the hills and far away. Chorus: He is my hero, my dashing darling He is my Caesar, dashing darling. I've had no rest from forebodings Since he went far away my darling.
Tennessee Waltz/Tennessee Mazurka, with Tom Jones (The Long Black Veil, 1995)
I was dancing with my darlin' to the Tennessee Waltz When an old friend I happened to see Introduced him to my Darlin' And while they were dancing My friend stole my sweetheart from me I remember the night and the Tennessee Waltz Now I know just how much I have lost Yes, I lost my little darlin' The night they were playing The beautiful Tennessee Waltz I remember the night and the Tennessee Waltz Now I know just how much I have lost Yes, I lost my little darlin' The night they were playing The beautiful Tennessee Waltz Yes, I lost my little darlin' The night they were playing The beautiful, the wonderful, the marvelous, the glorious, the beautiful Tennessee Waltz
Ferny Hill (The Long Black Veil, 1995)
Instrumental
The Long Black Veil, with Mick Jagger (The Long Black Veil, 1995)
Ten years ago on a cold dark night Someone was killed 'neath the town hall light Just a few at the scene, and they all did agree That the man who ran looked a lot like me The judge said "Son, what's your alibi? If you were somewheres else, then you won't have to die" But I spoke not a word, tho' it meant my life For I'd been in the arms of my best friend's wife She walks these hills in a long black veil Visits my grave when the night winds wail Nobody knows, nobody sees Nobody knows, but me The scaffold is high, eternity near She stands in the crowd, she sheds not a tear But sometimes at night when the cold winds moan In a long black veil, she cries o'er my bones
The Lily Of The West, with Mark Knopfler (The Long Black Veil, 1995)
When first I came to Irelend some pleasure there to find, A damsel fair from Lexington was pleasing my mind. Her cherry cheeks and ruby lips, like arrows pierced my breast,— They called her Handsome Mary, the Lily ot the West. I courted her awhile, in hopes her love to gain, But she proved false to me which caused me much pain. She robbed me of my liberty, deprived me of my rest,— They called her Handsome Mary, the Lily of the West. One evening as I rambled, down by a shady grove, I saw a man of low degree conversing with my love. They were singing songs of melody, while I was sore distressed, O faithless, faithless Mary, the Lily of the West! I stepped up to my rival, my dagger in my band. I caught him by the collar, and boldly bade him stand ; Being driven to desperation, I stabbed him in the breast, But was betrayed by Mary, the Lily of the West! At length the day of trial came, I boldly made my plea, But the judge and jury they soon convicted me. To deceive both judge and jury so modestly she dressed, And there she swore my life away, the Lily of the West.
Changing Your Demeanour (The Long Black Veil, 1995)
Here we are we've come to call with pipes and flutes and fiddles and all In case of death we've even brought a keener, So, if you're glum and feeling down just feel like us And act the clown and soon there'll be a change in your demeanour. (lilting) I put me money on a horse today for with the race he'd run away Or so a friend that's in the know he told me, Twenty lengths ahead at most, he proundly cantered pass the post but, woe was me, he lost the bloomin' jockey! (lilting, followed by verse-long fiddle and whistle break) Now of all the places I have seen from China to the Caribbean, Are all across the goat compared to Ireland, From Bally Castle to Tralie the Corup to the Liffy There's no where else on earth but like this island. (lilting, followed by short piano break) In Hollywood I long to be, no, not the place across the sea, But in county Wickloe Ireland's lovely garden. Where no pretenders will you find but decent people warm and kind, and flocks of friendly sheep into the bargain. (lilting, followed by short fiddle and whistle break) For your ills don't take a pill but take it down the road, the hills And listen to the larks lovely warbling, In the evening in the company with music in the key of E You'll be dancing Kerry sets until the morning. (lilting, followed by Dancing Kerry sets until the morning) |